The Open Championship — bringing a print brand book to digital

A golfer mid-swing in front of The Open's greenside sign at Royal Portrush.

The Open — Royal Portrush

Ecommerce · UX/UI — Delete (now UNRVLD)

Sector
Sporting events
Role
The junior of three designers
Two award seals: DADI Awards winner, Best website design 2019, and Sitecore winner, Ultimate Experience Award 2019.

Awarded following the full platform launch.

The Problem

The Open wanted to take their existing brand and make a fan-first digital experience that represented it. We also needed to turn The Open from a once-a-year, in-person event into a year-round digital experience.

I was part of a small design team at Delete delivering the 148th Open at Royal Portrush — the ticketing and fan experience. Working alongside lead designer Louis Shepard and head of design Tom Dougherty, I focused on the landing pages, the ticketing experience and UX, and the look and feel — bringing the print brand book into a digital world.

The Championship Day One page, top to bottom: the day's hero, the highlights film, what to expect, the day-one action gallery, what your ticket gets you, the venue map and the official patrons.

Original design comps, 2018 — placeholder copy and all. Not screenshots of the live site.

A fan first experience

With over 100 million people worldwide engaging with The Open throughout the year, its digital presence is one of the most critical brand touchpoints. The platform had to deliver a world-class fan experience, whether you were at the Championship in person or following it globally online.

We took the existing brand, the custom typography and the heritage, and made a digital fan-first experience — one that not only honoured the history but showed it off.

The Portrush site set a precedent that later carried across the wider Open digital platform. I worked with the team on the look and feel, the image treatments, and how The Open's custom font behaved inside the experience.

Every surface needed to either tell a story, or guide the fan to create their own by buying a ticket.

The Royal Portrush venue page on a tablet — hospitality and ticket calls to action, with the other upcoming venues alongside.
Champion Golfers at Royal St George's — profile cards for Darren Clarke, Ben Curtis and Greg Norman.
The History of The Open timeline, 1860 to 1883, above the ticket and hospitality cards.
An editorial page: World Number 1s and how they have fared at The Open.

Ticketing

I worked on the ticketing flows and prototypes. The insight was that we didn't want it to feel like just another ecommerce basket — we wanted it to feel like part of the experience. Building excitement. These tickets aren't cheap; the journey needed to reflect that.

Six ticket-builder wireframes in a cascade — Buy Tickets and Buy Parking flows against a running basket, the outer columns ghosted — with the narrow mobile basket floating over them, totalled and ready for checkout.
The built Buy Tickets screen: adult, youth and junior steppers against the running basket, totalled with the Mastercard route.
The built Add Extras screen: 18th-hole grandstand seat and private-table upgrades against the basket, ready to pay.
Mobile Buy Tickets: selecting championship days, with sold-out and limited-availability states.
Mobile ticket selection: adult, youth and junior steppers with a running basket total.
Mobile Championship Day One: editorial hero and the day's story.

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The outcome

A platform that turned The Open from a once-a-year event into a year-round brand experience, with more engagement and longer sessions. It set the direction for the digital transformation of The Open, which went on to win multiple design and technology awards.

Average session duration increase

56%

Uplift in revenue generated

72%

Fans engaging annually

100m+

The R&A

While heritage and tradition are core to The Open’s standing as one of the world’s most revered sporting events, it’s also vital that innovation enables the Championship to grow its worldwide following. We are delighted with the new platform, that will enable us to provide an immersive, year-round experience.

Kevin BainHead of Digital Infrastructure, The R&A

Figures from UNRVLD’s reporting, following the full platform launch

A crew member in hi-vis checks his phone at the festival; the Lanyard app home screen stands beside him

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